Media notes for Friday, April 26, 2013:

South Africa pushed through contentious legislation Thursday that restricts access to information and imposes fines and penalties including jail time for journalists who publish what the government considers secrets. The Guardian notes there is widespread agreement that the bill's onerous measures have been reduced in the five-year debate since it was proposed, but critics believe there remains discretion for the government to curtail press freedom. Some see it as the first erosion of democracy since apartheid was eliminated in the country nearly two decades ago.

The English-language Egypt Independent closed abruptly Thursday. The New York TImes reports that the site, one of the most aggressive in chronicling political change in the country, was experiencing financial difficulties that investors said could not be surmounted. But it also notes that its staff believes there was a political motive in the closure because of the site's criticism of the president and the Muslim Brotherhood. That observation is shared in a commentary on Tahrir Squared.

A new law in England and Wales makes it tougher to sue. The New York Times reports that the bill passed Thursday does not switch the burden of proof from the defendant, but it offers some provisions to strengthen their position. They can, for instance, claim the information was published in good faith and that it was in the public interest. The bill also is aimed at reducing "libel tourism," in which people chose England as a litigation venue even when publicity of the information was minor there.
 
 
Media stories of note for Wednesday, April 10, 2013:

The veteran news executive, Alan Mutter, argues in his latest post that online paywalls are not the blessing they appear to be. While they are helping to staunch the revenue declines many newspapers are experiencing, their main impact is to extract revenue from loyal readers. In effect, they fail to broaden audience appeal, a necessary condition for media sustainability. Mutter believes a partial solution comes in the form of reinvesting subscription revenue into new technologies in mobile.

Curtis Brainard, writing for Columbia Journalism Review, discusses seven rules to avoid gratuitous descriptions of female scientists. The rules are called the Finkbeiner Test, named after a science blogger, and they suggest no story mention a) that she is a woman, b) her husband's job, c) her child-care arrangements, d) how she nurtures underlings, e) how she was taken aback by the competitiveness in her field, f) how she is a role model for other women, and g) how she is the "first woman to" do something.

The European has published much of a conversation between its deputy executive editor Martin Eiermann and NYU media scholar Clay Shirky on the meaning of journalism in 2013. There are several threads of note, including the assertion that journalism has failed to comprehend the need for collaboration with the audience and some insight on why Shirky resists identifying a business model to help solve the economic challenges of the industry.


 
 

There were two significant developments today in the refashioning of the content model for journalism in the near future.

First, Global Post launched officially. It is overseen by two former media executives and has some 70 freelance correspondents worldwide, with a full-time staff of 14. It aim is to supply newspapers and their sites with content from abroad. It is a membership, for-profit firm, with correspondents in a finite district for coverage. It's the most ambitious new service launched in some time and will be worth watching its operation.

Second, thestreet.com announced it's intending to provide its content free to papers and sites in exchange for byline mention of its site on the former or linking to its site on the latter.

Recently, Politico.com announced a deal with Reuters involving the provision of content for sites and papers comprising advertising revenue shares.

All in all, some new reverse syndication and alternative distribution models are emerging, all of them offering something new to conventional media or something new to the consumer.

 

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